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miércoles, enero 16, 2013
MAN RAY VUELVE CONFIRMADO POR HILDA LIZARAZU
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📀Discos, 🎥videos, 🎸recitales y 📢noticias de Rock de Uruguay y el 🌎mundo. Contacto: panzarockweb@gmail.com
In 1982, Tito Losavio (who has
ResponderEliminarbeen previously performing as a
freelance musician at ‘El
Papagayo’, brazilean night club,
located near the BsAs ‘Recoleta’
neighborhood in intersection of
Cordoba Ave./Anchorena St.),
formed ‘Biorsi’, a band with
tropical influences.
Although ‘Biorsi’ went through
different formations, the one in
1983 is remembered as the finest
of them all:
Tito Losavio (guitar, vocals),
Adrian Lobato (bass, vocals) - son
of choreographer Eber Lobato and
formerly a member of Ruben
Elena’s argie ‘Hair’ musical - ,
Guillermo Medin (Quistral, Final,
Berklee College of Music 1983
Composition Award, Klhasch)
(keyboards), Juan Manuel
Basavilbaso (percussion) and Pablo
Mendez (drums).
‘Biorsi’ rehearsal space was
precisely at 2452 Paraguay
St. (also near the BsAs ‘Recoleta’
neighborhood) and in the same
block and right opposite to artist
Omar Emir Yaban’s Einstein Cafe,
which at that time was the chosen
place for underground performing
arts. Other artists such as Luca
Prodan (Luca Prodan) and ‘Geniol’
rehearsed there. Although ‘Biorsi’
did some live performances and
played in the Spring’83 Monte
Hermoso Festival, Bahia Blanca
province, they never released their
material.
Simultaneously, ‘Biorsi’ musicians
Tito Losavio, Adrian Lobato and
Guillermo Medin were as well
playing as the support band of
female singer ‘Pinin Folgado’.
Probably is during this period
when Tito Losavio started
developing his compositional trend
of writing tailored songs for soloist
female singers.
Early 1984, keyboardist Guillermo
Medin was hired by mime ‘Olucaro
Ocimotana’ as musical director of
Theatre of The Invisible in Brazil
and since there weren't signs that
‘Biorzi’ would ever reach the pre-
production stage, departed to Rio
de Janeiro.
Some believe Tito Losavio/Hilda
Lizarazu (Hilda Lizarazu) earliest
musical affair started in 1985, in
the midst of ‘Biorsi’ disbandment.
Others instead say ‘Comida China’
(Comida China) was the real
springboard for Hilda Lizarazu’s
singer career, referring to the fact
that she joined this band by the
hand of her boyfriend singer
Miguel Zavaleta (Suéter).
Although is uncertain how did
exactly this cute couple first met,
by 1986 Hilda Lizarazu’s new boy
friend, Tito Losavio, became Man
Ray’s leader and composer at 2170
Humbolt St., the so called
‘Palermo Hollywood’ neighbor-
hood by Real Estate developers.
Undoubtly ManRay’s first album
has the compositional finger print
of Tito Losavio’s ductility for the
Pop/Rock genre: songs are catchy,
unsophisticated and straight
forward, resulting in an overall
well-shaped album, rounded off
with a latin flavour inherited from
his past musical experiences.
While mixing in Studios ION,
between April/May 1988, long time
fellow musician keyboardist
Guillermo Medin was invited to
participate in future ManRay`s
projects. Worked together at their
Humbolt St. place (aka ‘the
bottling district’ because beverage
companies bottled wine in the
surroundings), till Guillermo
Medin returned to Cambridge,
Massachusetts, where he migrated
in late 1979.
Jack, thank for your visit to Panzarock!
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